Maniac With Camera Blog: The Painful Technique of Birds In Flight

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Tuesday, February 7, 2012

The Painful Technique of Birds In Flight - "I Ain't There Yet!"

One of the things that is important to master in wildlife photography is birds in flight. I'm still at the "trying to LEARN" stage. As you can see in these next photos. Here are some of my pathetic attempts at learning how to shoot in-flight shots. Notice a few of them are "headless". Headless is NOT good.

As I master this technique, I'll post up a "how to" but for right now, you can just enjoy my attempts. I'm just not there yet. The easiest points for me right now to capture them are the launch and the landing.

Look for more seagull images as I attempt to learn the art of taking birds-in-flight. Those birds are the most plentiful. I know that I'll need to get my shutterspeed up to at least a minimum of 1/640th of a second at f/5.6 (wide-open at 300mm on my 70-300mm G lens), And I'm sure that I can get to at least 1/1000th of a second wide open at f/2.8 on my 70-200mm f/2.8 VRII).

I'll get a clear one yet. Wait for it.

Happy Shooting.

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Maniac With Camera Blog

This is my personal photography blog; the one that I keep separate from my corporate photography blog. This is where I keep everyday photography that I do. Whenever I go places I take my camera (either my DSLR or my point & shoot) with me. In that way, I have a way of documenting stuff at all times. Like it's said...people always wish that they had their camera with them when something happens. Well...if I keep my camera with me at all times, I'll never wish I had it when something does happen. ~ Hugo Chikamori, Maniac With Camera Blog Owner

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The use of any images or other materials included herein, in whole or in part, for any purpose other than for the private purpose of the user, including, but not limited to, copying, reproduction, publication (including on Internet Web Site including third party web pages by any means, including "hotlinking", storage in a retrieval system (other than internet browser), manipulation (digital or otherwise), or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, is expressly prohibited without the written permission of Hugo (Haruo) Chikamori. All artistic and moral rights of the author are hereby asserted.

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Foreign Account Tax Compliance Act

Due to the Foreign Account Tax Compliance Act and its ramifications world-wide, FalconRose Photography has ceased doing business with all American-based suppliers. FalconRose Photography will patronize Canadian suppliers and retailers of photographic equipment.

Also, this will result in sales of images to United States purchasers treated as if the purchase had taken place in the Province of British Columbia, Canada, and that all such provincial and federal sales taxes due will be paid by the purchaser (due to the complicated tax process involved, point of sale cannot be specified at location of purchaser.) Purchaser is responsible for payment of all US federal and state use-taxes as we will not be collecting those for the United States Government.

We are a small Canadian company and as such, we have had to take measures to protect ourselves (by removing all stain of US tax presence - being treated as a US taxable person; we are Canadian) from United States Taxation and its complicated methods of filing taxes under the United States Tax Code.

We are also boycotting any United States shooting locations and will proceed to shooting schedules in Canada only. Canada is a vast and beautiful country and there are plenty of places to photograph without having to step outside it. We look forward to continuing to bring beautiful images of Canada's wildlife and landscapes for your viewing pleasure.

Edit: upon further research into the confiscatory practices of the US Internal Revenue Service; FalconRose Photography recommends that any US based company requiring images refer to many of the talented photographers based in the United States. FalconRose Photography will not do business with US buyers.

I Do Not Critique Other Peoples' Images

I have had people ask me to critique their photos. Unfortunately, photography is a very subjective field. I don't like to give out critiques because invariably it involves "my opinion" which pretty much carries the same amount of weight as everyone else's - a very negligible weight.

I find that most photographers either want one of two things: They want me to a) praise them so that they don't feel bad about the photography that they are outputting. b) they want to be offended by minor criticism so that they can write the critiquer off as some hack photographer. So it doesn't matter how I give critique, it's a no-win situation.

If I am impressed by your photography, I will say so on my comments at your site: Flickr, 500px, or whereever you may be placing your photographs. If not, I will more than likely be silent. Remember the old adage of mothers everywhere? "If you don't have anything nice to say, say nothing at all."

Your photography is your photography, I cannot tell you whether or not it's good or not. If you wish instruction, I would suggest looking up a certified photography instructor. There are people out there who have dedicated their careers to training others. Unfortunately as a working photographer who is doing wildlife stock photography and getting his business off the ground, unfortunately, I do not have the time to do so on a gratis basis.

Above all, photography is essentially the way YOU see the world, not through being filtered by other people. So the only person who can really critique your images is yourself and if you are true to yourself, you will be the hardest critic of your own work.

The only people whom I've ever critiqued images or helped by instructing them on occasion are people whom I've gone personally to school with and they already know who they are on my friend's list on Facebook. So please do not send me your photos to critique, because invariably you will not hear from me.

About Me

Haruo Chikamori has been shooting photography in some shape or form since 1984 when his late father got him a Mamiya Sekor TL500 35mm manual focus SLR. Since then he has taught himself the basics of exposure, shutterspeed and aperture...and has progressed from the basics to running his own freelance photography business.

Hugo has had numerous cameras from point and shoot and SLR 35mm cameras to digital cameras (both point and shoot and DSLR). He now prefers to work with Nikon 35mm film and DSLR cameras.

Currently his photographic arsenal includes a Nikon D300s body, a Nikon D50 body, AF-S DX 18-70mm f/3.5-4.5 lens, AF 50mm f/1.8 D lens, a AF-S Nikkor 70-200mm f/2.8 ED VRII lens and a Nikon AF-S 600mm f/4 D ED-IF II lens. He also has a SB-600 flash.

In the future, he hopes to get the Tokina 11-16mm f/2.8 lens, the Nikon 14-24mm f/2.8 lens, the Nikon 24-70mm f/2.8 lens, a Nikon 200-400mm f/4 VRII lens, as well as a Nikon D700 FX (full-frame) body and a Nikon F6 (35mm film) body

Tuesday, February 7, 2012

The Painful Technique of Birds In Flight - "I Ain't There Yet!"

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