More Autumn Pics

There's always one ***hole in every crowd

Abstracts, Fall Photos and Miscellaneous

Shooting In The Rain...

Shot from the inside; at the condensation on the window pane (we have double-layered windows)


Shot from the door at 70mm at a puddle with raindrops falling and hitting on it.


Raindrops falling onto and running down the back window of my dad's truck canopy.

All these shots were done close to home. However, I hope later on this week I can actually get out and shoot some stuff outside of the home during the rain.

A little Character to go along with my blog.

OK...so my photographic ability is better than my "drawing" ability. Yes, I tend to lean towards stick figures and the like.



This pretty much portrays the author of this blog...

So enjoy.

Metrotown Bound

~to be continued~

Love Photography; Love Life

The choice to become a photographer was a long and circuitous route for me. Most people imagine the life of a photographer to be "sandy beaches, hot women, and a glamorous lifestyle of fun in the sun snapping pictures and being catered to by the rich and famous, because of our talents". Well...maybe about 1% of all photographers have the luck to become that famous. For the rest of us, like me, photography is a long slog through the muck to earn a living.

Why do we do it if it's so hard to make a living? The main answer is that we "love what we do". If the love wasn't there, it wouldn't be worth the effort. My route took me through various jobs to figure out what it was that I loved about photography. I went through music school, real estate, various office jobs, building management, and finally serving behind the retail counter at London Drugs selling cameras. But what it all boiled down to was that I was happiest behind the viewfinder of a camera. If I can make my living out of being behind the viewfinder, that would make me the happiest guy in the world.



I haven't been to school for photography. In fact, most of what I've learned about photography came from hard work and experience shooting thousands of frames. In fact, digital was what made it possible for me to learn. If I had to learn on film cameras (such as were available back in the 80s), I would have thrown up my hands in defeat along with an "emptied" pocketbook." Nowadays it takes me maybe two or three frames to get the look that I'm looking for in an image. But that's because I've taken the time to shoot and learn what works for me and what doesn't. It was easier than spending money for a correspondence course or taking a 4 year degree program at Emily Carr. I know my f/stops and my shutter speeds and correlations between each. I worked with composition. You can read all the textbooks in the world, but the main aspect of the photography and learning about it is to go out and do it. That's what makes digital so great in my opinion. You have the capacity to learn, to experiment; to find out what works for you.

Would I go back to film? Sure. Now that I have a handle on what I'm doing and know how to get a proper exposure in-camera. But then again, with film, I'd probably end up sending it to a pro-lab for output and maybe with consultation, I'll get it looking the way I wanted it output as if I had used a darkroom for it. I've considered getting a film SLR however that is pretty low on my list of priorities right now.

I'm staying away from weddings, despite the fact that they are the prime money-makers in this business. I prefer portraiture, wildlife, landscapes and aviation as my primary genres in photography. Though they don't make as much money, those genres are what fulfills my spirit and makes me happy to be breathing. There's nothing like getting up at 5:00 in the morning, and trudging out to a vantage point to catch the morning sunrise and the dew on the grass billowing up in the heat of the first rays of the sun catching the moisture and evaporating it. That's what makes you realize what it is that you're living for.



I'm not a gearhead, though my "photography bible" is my Nikon lens catalog. I prefer to get out there and shoot. That's what is pleasurable about "holding a camera" is the ability to focus on what it is that is visible TTL (through the lens). It doesn't matter what lens I'm holding, whether it be my 50 f/1.8, 18-70mm f/3.5-4.5 or my pro-glass 70-200mm f/2.8 VRII. It's what I see through my lens that is on my mind the most.

I could sit here and wax eloquent about photography, but the main point that I want to bring across is that photography is something I love. If it wasn't, I wouldn't be doing it. It's capturing that moment that only comes once in a lifetime and getting the shot right the first time. It's having a labor of love that gives pleasure to viewers for many years to come. Two of my favorite photographers, Ansell Adams and the late, great Galen Rowell did exactly that. I may have quite a ways to go before I can actually compete with the likes of them, but I can certainly say that it will certainly be a fun task for the rest of my life to try to match them.

If you're a photographer, like me, love what you do. Put your heart and soul into it. Wake up every day with a renewed sense of wonder about the world around you. Open your eyes to each and every day with a charge to record life around you. Make every day a great one, because it all ends too quickly. We have been given a talent of which the results of our labors can pass through the ages.

Nikon Lens Simulator

This is a link for all of us Nikon camera geeks. One of my friends on Photography Corner; the High Caliph; the Grand Poobah of Photography Corner or as we call him, "the site owner", Tim Walker found this link to a Nikon Lens Simulator...which allows viewers to simulate the focal range of various lenses to see which one suits their photography genre.

Nikon Lens Simulator

Play with it, Have some fun with it...and then be ready to drop some dough for the lenses that you want because you'll get addicted to the range.

Holland Park

Evidently, autumn is in the air as two of the maples in Holland Park have started turning color already.





All photos © 2010 FalconRose Photography

Experimentation and Architecture

Experimenting with Zoom - Lamp © 2010 FalconRose Photography


Central City Mall, Surrey, BC © 2010 FalconRose Photography

Some experimentation with photo technique as well as an architecture photograph. Not much of an update this time.

Nikon Acquisition Syndrome

I have GAS. I know that it sounds rather crude to make that proclamation...but admittedly it's not a case of flatulence. It is a rather severe condition called "Gear Acquisition Syndrome" and a rather specific form of GAS which ends up being referred to as NAS (Nikon Acquisition Syndrome). This rather insidious disease; is incurable except by death or by going broke (either one of the two will suffice).

An example of my Nikon Acquisition Syndrome symptoms:









My Facebook Nikon Acquisition Syndrome album

This case of NAS is caused by getting bitten by the photography bug which carries this virus which lies dormant until you make your first camera purchase. Then what happens is that the virus multiplies within your body causing symptoms such as lens envy (seeing green when you see another photographer with the object of your desires (I turn green when I see a photographer with a 600mm f/4)), obssessive compulsiveness when it comes to camera and lens purchases (you must have the best) and irritability which manifests when you just manage to buy the latest gear and Nikon comes out with the next model (*cough* D400 (est. release date is 2011 (first quarter))) not two months after you've made your purchase or when personal finances dictate whether you can get the holy grail of photography lenses (namely my desire to get the 600mm f/4 and the appropriate lens supports, being tripods, and gimbal heads) and thorough justification of the reasons why you should get the equipment. Other symptoms include hanging out at the camera store, drooling over their camera display, wasting the time of the camera sales reps and increasing displays of aggressiveness towards Canon-users (You'll pry my Nikon out of my cold, DEAD hands!)

As far as I can see there is no hope of treatment available unless you go to an obsessive compulsiveness treatment program and even there you'll be laughed at by the people who have the severe form of obsessive compulsive disorder. So I have decided to succumb to this disorder and oblige my inner desires; revel in it to say the least - If you can't beat 'em, join 'em. It may mean a complete and utter rehashing of our finances so that we can afford the lenses and other gear. But it's better than looking at and salivating great puddles of drool over the Nikon lens catalog. I justify the acquisitions with the fact that my kids have more toys than they could ever play with in their entire lives (with the exception of my daughter - who will get her own set of toys) and that books (with the exception of photography related literature) are not of any interest to me any more. I don't buy CDs. I don't buy model kits anymore (though it was a hobby at one time). Everything is focused into photography: career, acquisitions, inner focus and the desire to make this into a profitable (though I may be deluding myself) goal to work for myself.

If covetousness is one of the 7 Deadly Sins, well, pray for me, my church-going friends, because I surely am DOOMED. But I sure as hell am going to have a great time before then!!!

"Fill The Frame"; What Do You Do If You Need Range?

For many years now, I've been struggling with the realization that I just don't have enough "range (reach)" with my lenses that I have. I currently, for wildlife photography, have the Nikkor 70-300mm f/4-5.6 G which tends to chromatic aberrate out the wazoo (and in my opinion is a piece of S***) and my Nikkor 70-200mm f/2.8 VRII which is one of the finest lenses that Nikon has ever built in my humble opinion.

The problem comes when I do my favorite type of photography which is wildlife. I can't seem to "fill the frame". When you don't fill the frame, you lose megapixels of resolution in your image because you're forced to crop extraneous background details away from your subject. For example, here is the eagle shot that I took on my birthday.



Now, this is the original photo for comparison purposes.



Note how much image I had to crop out in order to achieve the shot with just the eagle. Not only did I lose resolution, the image became unuseably blurry. Certainly to the untrained eye, it looks just fine; but to me, it's just horrendous.

Now my only solution is to "fill the frame". Now how do you do that other than to buy long expensive telephoto prime lenses. Well...my temporary solution while I'm saving up for the hugely expensive telephoto prime lenses is this: to use a teleconverter.

The one I'm looking at is the Nikon TC-20EIII which should effectively double my focal length, if I was using it on a full-frame FX body like the Nikon D700, while losing two stops dropping the f/2.8 to a f/5.6 and effectively making my 70-200mm f/2.8 VRII into a 140-400mm f/5.6



On my D300s, it ends up becoming a 210-600mm f/5.6 counting the 1.5X conversion factor. Until such time as I am able to obtain the 600mm f/4 and the 400mm f/2.8, this stop-gap measure will have to suffice.

Enjoyment of Flying Things: Photographing Aircraft

Sometimes I enjoy nothing more than to go out somewhere and photograph aircraft. During the time that I was at Coal Harbour on July 30th, I had the opportunity to photograph several Otters and a Twin Otter.



A Westcoast Air DeHavilland Twin Otter coming in for a landing.



A Harbour Air DeHavilland Otter (single engine) taxiing out to takeoff.



Another Harbour Air Otter winding up for it's takeoff run.



A beautifully patriotic Otter in Canadian colors. Notice the Canadian flag paintjob.



A WestCoast Air DeHavilland Twin Otter taxiing for takeoff.

One of the other things that I enjoy doing around this time is going to the Abbotsford International Airshow. However in the last little while I haven't had the oppportunity to as my kids probably are not of the age where they would enjoy listening to loud engines. So here's some photography from Abbotsford Airshow past. This was done with a 35mm SLR (A Mamiya Sekor TL500 that my late father bought me back when I was 14. These shots were taken when I was around 19). I'll post up others when I do get a chance to go again. Probably I'll get to go around the time that the Abbotsford Airshow turns 50 (in two years)


Rockwell B-1B in European Green


The Canadian Forces Snowbirds.


One of the 9 aircraft formation has broken off leaving an 8 aircraft formation


Two Montana National Guard F-16s.


A VF-31 Tomcatters F-14D Tomcat, now retired and gone from service. They've all been scrapped due to Defence Department directive. So the bittersweetness is that I'll never be able to take pictures of F-14 Tomcats again...at least not flying ones.


A side-view shot of the same F-14D Tomcat.

The 2012 Abbotsford International Airshow should be great. But it will be a bittersweet occasion as my Dad used to take me to the Abbotsford Airshow and I'll be thinking about him too as I'm walking the tarmac around the static display.